Blackeyed Theatre's version of Frankenstein is dark, powerful and heartbreaking - and can be seen at Peterborough's Key Theatre on March 7 and 8

There have been more than 100 stage and film adaptations of Mary Shelley’s 1816 novel Frankenstein – The Modern Prometheus.
The puppetry for Blackeyed Theatre's Frankenstein is created and directed by Yvonne StoneThe puppetry for Blackeyed Theatre's Frankenstein is created and directed by Yvonne Stone
The puppetry for Blackeyed Theatre's Frankenstein is created and directed by Yvonne Stone

The most enduring images, whether we approve or not, is probably Boris Karloff as the monster with bolts in his neck in the black and white movie versions and Peter Cushing as the mad scientist with Christopher Lee as the creature with a bad embroidery job around his forehead in the luridly colour House of Horror movies.

As for moral compass – their settings are about as accurate as the Bond movies depicting spies as martini-swilling sex maniacs.

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More serious minds – including Kenneth Branagh – have had a go as has Aussie Stuart Beattie in the sci-fi blockbuster I, Frankenstein which saw the monster as an evil-busting hero.

Blackeyed Theatre returned to the novel as the rock-solid basis for its stage adaptation.

Its version, adapted by Nick Lane, has heart, soul, fear and atmosphere by the boatload. It is dark, complex, absorbing and, at times, heartbreaking.

To think Mary Shelley was 17 when she wrote Frankenstein, she asked big questions. Blackeye meet head-on the moral dilemmas raised – they include nature over nurture, man-playing-God, life after death, the power of nature, science and scientific knowledge.

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Its anti-hero Frankenstein is a cocky student who thinks he has all the answers, refusing to listen to his teachers and is led astray by ambition.

The monster is not merely an unthinking murdering marauder but a tormented, anguished being who begs to know why the father who rejects him as created him in the first place.

Robert Bradley plays Victor Frankenstein who gives a powerful portrayal of the hopeful scientist whose work turns him into a despairing, lonely mess.

The monster is a puppet – banish all thoughts of Orville. Yvonne Stone has created a life-size mannequin seemingly made of bone, sinew and muscle. Billy Irving who voices him and the rest of the five-strong cast brings the puppet to wonderful life. It is stunning.

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Blackeyed’s version of Frankenstein is a must-see for all students of the book – and life’s big questions. It leaves you to discuss the answers.

It can be seen at Key Theatre, Peterborough, on March 7 and 8.

Tickets: 1733 207 239

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